What does Aristotle mean by “imitation of action”?
Tragedy is an imitation of action with some of the qualities, for instance it is serious, complete, of significant magnitude, depicted with rhythmic language and/or song, as a form of action but not narrative, and delivers a ‘purgation’ of pity and fear in the audience.
How is a play an imitation of an action?
Tragedy is an imitation of an action that is serious, complete, and of a specific greatness. The tragedy is displayed or presented in the form of action, not narrative in a play. It will excite pity and fear in the group of audience as it witnesses the activity or action.
Compare a play with a performance event such as a music concert or circus event. How are they similar or different in relation to the idea of “imitation of action”?
A play is drama and drama is compelled to tell a story. Drama has three fundamental ingredients that are required in any piece of fiction. There must be a hero; the hero must have an objective, and there must be a deterrent for the hero to overcome to accomplish that objective or goal. Without these fixings there is no conflict and without struggle there is no drama. Yet performing in a music concert is less concerned with story and more concerned with making a statement with impact.
As per Aristotle, there were six fundamental dramatic components: Plot, Character, Theme, Language, Music and Spectacle. While theater specialists may banters about whether each of the six is totally essential, you can easily see that all are as yet a noteworthy piece of a dramatic occasion. Utilizing this rundown to contrast a play with an occasion like music concert, it is obvious that there are significant differences. A visual artist may incorporate some of these components in their work, yet I can’t think about a single piece of visual art that uses every one of them.
Where in Oedipus is “imitation of an action” (as opposed to the real action) especially important?
A tragic hero must inspire both pity and fear, and Aristotle asserts that the most ideal approach to do this is whether he is imperfect. A character with a blend of good and evil is more convincing that a character who is simply great.
What does he mean by “in the form of action, not of narrative”? How is a play in the form of action? What might an example of “narrative” be? Aristotle also says, “through pity and fear effecting the proper purgation of these emotions.” Who is having this experience?
According to Aristotle, the tragedy is unique in relation to the narrative since it is carried on in front of an audience with various characters. Likewise, he believes the objective of the playwright is to make pity and fear in the audience. Through determination of the conflicts, Aristotle trusted that the audience would be purged of the intense feelings. The film “Titanic” is a case of it. The downfall of the protagonist characteristic of tragedy causes the audience to feel pity and fear.
Discuss the play Oedipus the King in light of the six elements of theatre as outlined by Aristotle. What elements strike you as most important if you were putting on the play? Watch the video clips from two productions of Oedipus the King. What choices are made in the video clips in regard to these elements?
The world “tragedy” has a very distinct definition in the mind of the populous, but tragedy had a very different meaning in the Greek area creating a different meaning (Scoldel, 2010, p 1). Aristotle’s concept of tragedy and theory of a tragic hero can be easily associated with the character Oedipus found in the play “Oedipus the King.”
I. Aristotle’s Definition of a tragic hero
A. Greek Tragedy
B. Tragic Hero
II. Origins of Oedipus
A. Origins of the Name
B. Early life of Oedipus
III. Oedipus Role in Thebes
A. The Crowning of Oedipus
B. Aristotle’s Reflection
IV. Oedipus Faith
V. The Fall of Oedipus
VI. Association of Aristotle’s theory to Oedipus
From my view the first and most important is the plot, which is what all the other points are based on. Two Productions present Oedipus the King is the classic Greek tragedy about the vagaries of fate and the struggle of one man to escape his destiny. This is a provocative and challenging story of endurance that takes the audience to the edge of despair and back again.