How can texts position audiences to reject

How can texts position audiences to reject, accept or question values and beliefs? Nelson Mandela once said that “our daily deeds as ordinary South Africans must produce an actual South African reality that will reinforce humanity’s belief in Justice, strengthen Its confidence in the nobility of the human soul, and sustain all our hopes for a glorious life for all”. Through the eyes of a person living in an egalitarian society one may be able to view the excellent film District 9, as directed by Nell Blowlamp, as a gross representation of skewed humanitarian qualities.District 9 positions its audiences to reject the notion of unrivalled humanity as displayed by human beings and rather accept that others, who are may not be human, can also be capable of displaying civilized behavior at a higher degree than human beings. This movie highlights both the negative and positive aspects of humanity through the reversal of fortune for the typical white man and the unique scaly alien.District 9 leaves a lot on the audience to ponder over and discuss which simply adds to its egregious nature. Need to state what film codes you will cover during the discussion of this film. After this. When one scrutinizes the mall character of Walkups In District 9 one may incontestably view a middle aged, white and South-African male employed as a high positional holder in his father-in-law’s company, MultiNational United.

This sentence does not have a point? It does not end on a statement.In the beginning of District 9 Whisks van deer Merge was described as a saint through his mother’s tearful testimony and his wife’s emotional reminiscing about how he was an honest man, and he didn’t deserve any of what happened to him’ which also evoked sympathy room the viewers, whilst simultaneously humanities him and filtering his character through a sieve of perfection. What Is interesting to note is that both of the women In his life are filmed In a human environment of domestication, which may reinforce the fact that Whisks is as human as they come.The facial expressions of the minor characters’ show pain, emotion and sadness towards the camera that pictures them to be deeply and emotionally connected with Walkups and his perfect human qualities. However when viewing his character on screen one may conclude that Whisks is a dominated yet magniloquent man who slowly becomes diminished through physical transfiguration to his body and soon Whisks is characterized as a pitiful human towards the climax of the movie.After his hand transforms into an alien claw Whisks van deer Merge does whatever he can do to cure himself of his disfigured body; he tries to kill people, fellow humans, eats cat food, threatens aliens and becomes a fugitive.

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One may come to the positive conclusion that due to his heroic actions near the finale of District 9 Whisks is the epitome of human goodness forever one must also keep In mind that It was ultimately Whisks’ fault that the aliens were In peril In the first place. This movie asks audiences to reject human beings as the epitome of the ideal human through the something about Whisks. OFF and are extremely euthanized. The fact that they are referred to as ‘Prawns’ mirrors one of humanity’s darkest times; the Nazi regime, when the Jewish population was referred to as scum and pigs.

The lighting effects on the aliens suggest that they are to be feared and are simply nothing more than gruesome creatures. The introductory newsreels show the humans to be the centre of attention while the aliens are shown in the foreground of the shot , looking for scraps or rumbling around bins.The beginning of the movie also degrades the aliens and shows them to be the enemy through their height and different physical appearance. The fact that the aliens were not even interviewed may be seen as another degradation of their kind.

Fortunately a shift occurs halfway through the movie when Whisks starts to morph into an alien. The kind alien Christopher is given a shred of respect when Whisks calls him Sir and the camera captures him to be extremely attain when faced with the likes of Whisks and shows that he can operate machinery.More evidence of how Christopher, as well as the other aliens, display more human qualities than humans. What is important to note is that to the end of the movie Christopher displays human emotions when he saves Whisks and leaves his son. This contradicts the viewers’ prior beliefs that all aliens are diminished creatures and not at all human.

The Nigerian are shown to be inhumane and this further reinforces the fact that not all humans may qualify for what is commonly seen as human. These people are splayed as cannibalistic foragers who are around about the same social rank as the ‘prawns’.The film of Wicks walking past the King of the Nigerian serves as a juxtaposition of two totally different men, one man shown to be white, weak yet high class while the other happens to be black, lower class but tough. Their practices of eating alien to gain supposed special powers is frowned upon by the other characters and hence the viewers feel obliged to follow through with this viewpoint as well which further reinforces a connection between the viewers and the white characters. This further drops the Nigerian’ image of humanity.Mr. Mandela, himself, would be ashamed of the Nigerian people in District 9 being examples of how aliens display more humanity than actual human beings.

One may come to the conclusion that District 9 paints a pretty grotesque image of humanity in that the humans of the movie are shown to be inhumane whereas the creatures of alien descent display more active pursuit of humanity. This movie utilizes dialogue and camera angles as well as using stereotypical and archetypal characters to display a negative image of humans in relation to humanity.