Humanity possesses an innate desire for belonging, for its ability to reshape identities and provide Individuals with a heightened sense of acceptance, security and purpose. William Shakespearean pastoral comedy As You Like It (c. 1599), T. S. Elite’s The Love song of J Alfred Froufrou (1915) and John Bricks painting Collins SST, pm (1955) demonstrate belonging as an Intrinsic and self-driven connection shaped by one’s social and cultural contexts. Through these texts, the responder more clearly understands that belonging can enhance an individual’s understanding of themselves and their world.Shakespearean As You Like It reflects humanity’s instinctive desire to belong to particular places and communities as a major aspect in shaping one’s identity.
The allegorical depiction of the Forest of Arden as the “golden world” contrasts with the toxicity of the court, with this duality allowing for a meaningful exploration of the impact of place on the individual. Indeed, the exiled forester Duke Senior uses figurative language to describe the “envious court” as “painted pomp”, the harsh plosives attesting to its covetous, superficial nature.Raising’s alliterative confession to Celia that she “shows more mirth than [she] Is sisters of” underlines her adoption of a faded to mask the discontent Inside the stifling atmosphere of the court, despite her affiliation with her “sweet coo”. She Is unable to achieve happiness and belong wealth such a place and its corruption contrasts with the “Forest of Arden”, which