?With contrasting reputations and yet comparable characteristics, both the antagonists in Raymond Carver’s short story “Cathedral,” and Charlotte Perkins Gilman’s short story “The Yellow Wallpaper,” display how blindness affects each man in signifying ways. The antagonist in “Cathedral” is an old and warm-hearted blind man named Robert who has a strong, ongoing long-distance friendship with the protagonist’s wife. On the contrary, the antagonist in “The Yellow Wallpaper” takes on the title as a loving husband and physician of high-standing who lives with his wife away from others.
Both antagonists portray the form of an optimistic figure but also have very different abilities and mindsets that are influenced with the presence blindness in various ways. Both antagonists act positively throughout the story, allowing them to think optimistically without needing reasoning thus, purposely blinding the details they believe affects the outcome of a situation. Robert in “Cathedral” stays positive during his visit at the couple’s house and proceeds through dinner without the impression that he is blind. Bub, the protagonist, fails to describe the features of a cathedral; he confesses that cathedrals do not mean anything to him. Without reasoning with Bub’s confession, Robert replies, “I get it, Bub.
It’s okay. It happens. Don’t worry about it” (Carver 367). Robert asks Bub to draw a cathedral with his hand on top of Bub’s, constantly encouraging him by saying, “Sure. You got it, Bub.
I can tell. You didn’t think you could. But you can, can’t you? You’re cooking with gas now” (Carver 368). Robert projects positivity towards Bub thus, prevents Bub from giving up. John in “The Yellow Wallpaper” has shown a tremendous amount of care and support for his wife, Jane. Having no doubt that Jane will get through the condition using his methods, John continuously refrains Jane from writing, causing.